Sunday, July 27, 2008

Pie in the Sky: Dreaming of Electric Shoes


In cities across the world electricity lines lace intricate black lined patterns across the sky, connecting disparate individuals and communities into the the global village.

Long ago, somewhere in America's city streets, some young person stared up at the electric wires, and feeling a little bit alienated, a tad curious, and overwhelmingly anxious to make a mark on the city, the starry-eyed American child tied up some dirty shoelaces and swung them over the lines.

After fifteen attempts, the laces looped over and over in a balancing act between the two weights, and the shoes finally locked in. The youngin's footprints settled into the electric pathways to gingerly sway in the summer zephyrs next to perched birds taking a moment of rest from the long days of hustling for food in the garbage packed gutters.


The critics of my romantic account might tell a more violent story about the birth of the electric shoes phenomenon. It might very well be true that young David Schulim raced hurriedly home to his Lower East Side brick behemoth home in some nasty galoshes (that original gangsta' 1910's style), where he got heisted by the neighborhood hoodlums.

It started hailing real hard, and the kids bred on American ingenuity and battle techniques, quickly churned the idea to make poor little Davey crawl through the muddy snow in his socks, forever remembering his beat downs on the way to school, as the weather torn relic of defeat dangled sadly over the block.

Urban legend and myth abound circling the meaning of the shoes that jostle just underneath the electricity lines. What does it all mean?

Seasoned historians of gangsterism reading this must be growing real upset, pointing vindictive fingers at the all too cliche stories I'm telling about the origin of electric shoes. Surely, they yell while gesticulating wildly, the first appearance of clinking kicks in the sky mark the territory of a nearby drug house. "You didn't know?!" they say with a contemptuous smirk of the lips.

The shoes hang from the wisping wires like a secret code in the hood, understood only by the locals rummaging around for the goods. When one pair rises, others tag along jealously, as the pushermen business grows and reaches a critical mass, billowing into an all out war for territory and money.


My electric shoe fanatics, I assure you that all the stories equally possess the kernel of truth, as we trace along the genealogy of the phenomenon in American history, let us remember that the beginning, no matter what it may be, never ultimately limits the haphazard development of some strange cultural practice.

No story completely holds the end all essence of electric shoes, and in fact, the meanings continue to disperse themselves into the streets. New sagas are being told by elusive neighborhood characters who play with the numerous urban signifiers that constitute our public space. Just look up occasionally and enjoy the stories being told...




1) Woodcut Bird - numerous sightings noticed in Los Angeles around 2006, slowly becoming extinct in the concrete environment. Artist: unknown.

2) Money Bags - recently spotted in Los Angeles. Quite exciting progression of the art form--maybe some motivated electric shoe artist will throw up some pie in the sky soon! Artist: unknown.

3) Above Arrows - Ubiquitous street artist, Above, became infamous a couple years back for his lyrical wordplay painted onto two sides of a woodcut arrow, often making a game of the signs and words of the urban landscape.

4) Converse Shoes - The most direct homage to electric shoes, these colorful woodcuts littered artist friendly neighborhoods throughout California several years ago. Took this photo in Balmy Alley off 24th in the Mission in 2004. Artist: unknown.

Do any of my three loyal readers know these artists? Anyone know some local contributions in Frisc Town to this growing tradition?

And then, there's this.

Thursday, July 17, 2008

The Vortex Room Brings Back Cinema

While cruisin' the boulevard in my smelly kicks I sometimes indulge in that surging impulse to peer through the ubiquitous store windows that candy coat the streets, showcasing all their little treats categorically prepared just for tempting my wallet to shovel out its guts. Store after store pass, the same endless routine of clothing, furniture, liquor and food, the four basic elements of modern urban existence all fused together by the common driving force of entertainment.

My eyes jet elsewhere, flipping to the florescent signs, shifting higher towards the rooftop cornices and spiraling back down the iron fire escape that winds gently between box cut windows offering, behind drawn curtains, a scant glimpse into a lived world -- dirty dishes piled in the sink, a humming television, floating bodies moving in and out -- all in hopes of locking my eyes upon any object not for sale, concrete enough to stabilize my thoughts.

I sometimes imagine streets filled with a different kind of business, a more intimate and hospitable kind of market where purchases fade into the background of things and connections with people rise to the forefront. Alas, my dreams of purposeful capitalism driven by a little more soul aren't so ridiculous, because I assure you my readers, that I have glimpsed such possibilities!

A hidden speakeasy in the heart of the SOMA sector speaks directly to my cravings. A plain warehouse facade, once perhaps the exterior of a humble print shop, disguises the portal into a supergalactic experience within! Upon entry, the human being walks through a tiny corridor and emerges into a spiraling realm of film reel vertigo and brooding light fixtures cyphering on the walls.

Welcome to the Vortex Room, a classic speakeasy lined with black leather couches, a bar stocked with fine whiskeys, and a projector shooting the most obscure mm prints onto a screen just big enough to envelop your entire visual landscape.


The Vortex Room is managed by Cosmic Hex, an internet based preservation resource of discarded or neglected film gems, organized for member download at quite the reasonable price. These folks are the crate digging archivists of the film world, with a knack for seeking out acid trip psychedelic soundtracks, the most twisted horror plots, and the untimely cult films (C-Films) that we could baptize as a-classic.

The otherworldly atmosphere of the Vortex Room serves as a catalyst for the viewer to imaginatively fall into a full cinematic experience that glides into another dimension of sound and color.

The cinema used to be a focal point in communities from an era not so long ago, serving as a social hub for entertainment, news and education, or even spiritual restoration and elevation. The French would convert palaces into extravagant cinemas while Italians viewed them as more important than the Church (I point to Cinema Paradiso).

The Vortex Room harks back to just this sort of era where the cinematic experience inflicted a resounding sense of awe into people. Once again we journey on spaceships throughout the universe of human emotion and thought, landing on Earth again once the lights turn back on, feeling replenished and joyous with life.

Many might accuse me of absurd nostalgia or idiotic romanticism for a cinematic milieu of simpler days, but the Vortex Room agrees that a futuristic intimacy with film and people is still possible while staring wondrously at the glowing moving image.

Two films, or a series of shorts, stream every Thursday night around 9pm at 1082 Howard in between 7th and 6th. Entry for $5! Here's the calendar.

Monday, July 14, 2008

We Funk(ed) Up Frisco

I haven't been steady bloggin' lately, since the mobbin' of non-virtual life has caught me up in the hustle. Hopefully my three loyal readers don't mind too much, or else I'm just going to be writing for myself from now on.

Enough of the nonsense, let's get to the program.

While sliding through San Francisco's night life the past couple years I've become disappointed with the lack of a solid Hiphop - Funk - Soul scene that holds it down on a consistent week to week basis. Maybe I'm spoiled because Los Angeles pushes the movement hard. But most of the big name DJ's in Frisco -- you know, the ones who've apparently been in the game for a minute and paid all their dues -- seem to compromise their style by playing a stream of the jiggy club shit to an audience that shrinks in numbers each week.

While I got no problem with the bass heavy club bangers that rock the party, I'm looking for the balance in style and content that reflects the Bay's rich music history. In the end, the Hiphop heads ain't happy, the DJ's don't feel it, so what's going on?

Saturday night, Montreal's We Funk radio DJ's Professor Groove and Static proved that Baydestrians really do fiend for a nickel bag of The Funk. Packing Elbo Room's top floor like a sardine can, We Funk demonstrated the crowd pleasing legitimacy of their funky soul hustle. Static dropped the classic boom bap Hiphop leading smoothly into Professor Groove's crescendoing dirty diamond funk. They switched off every thirty minutes or so, letting the tempo rise and fall in thick cascading motions like a multi-layered sexual grind.


While spinning together for twelve years on the notorious internet radio station and doing their homework digging deep into the crates, the DJ duo developed a streamlined set of slamming jams that pulse with soul clapping percussion. The finely woven fabric of Apache-style breaks, In response, not only did the crowd soak in the music, the air conditioning rafters literally started sweating and dripped onto the dance floor's many writhing bodies. You can call that a make it rain remix.

Special shout out to ShredONE for making wefunk happen!

Be sure to scope out the We Funk radio archive of over 520 radio shows, updated bimonthly (about) with a couple new shows each time. Peep the interviews, dialogues, and mixes (with set lists) raising the peoples on Hiphop like the Wake Up Show used to. You can also listen to the weekly Friday night live streams at 2am (est).

Sunday, July 6, 2008

Album Review: RZA Loses Focus w/ Digisnacks

Last winter, New York's seminal Wu-Tang Clan dropped the highly debated 8 Diagrams, marking the fifth and perhaps final chronicle in their kung fu Hiphop mythology. Powerhouse members of the Clan, primarily Ghostface Killah and Raekwon, met widespread criticism and poor album sales with fingers pointed at their musical director and spiritual leader, Robert Diggs, known to most simply as RZA.

Devoted Wu-Tang connoisseurs shrugged their shoulders at Digg's unworkable sonic explorations, hoping that a second coming of RZA's alter-ego, Bobby Digital, the futuristic street hustler sage, would vindicate the co-founder by proving the genius of his beatsmith experiments.

However, not only does Digi Snacks never venture into the unchartered psychedelic Hiphop territory of 8 Diagrams, it also fails to weave together the brooding cinematic coherency that typically marks RZA’s grime-soul production.

Digi Snacks fumbles endlessly for a sense of identity, jumping abruptly from introspective meditations on death in the slicing “Long Time Coming,” to the flailing club banger, “Straight up the Block,” that negotiates Digital’s slowed down clunking rhymes en français, hyper-speed Jay-Z vocals formed into the hook, and silly thug rants courtesy of David Banner.

The sonic environment parallels the schizophrenic lyrical content, steering wildly through spacey video game sound effects mismatched over crisp syncopated drums that only occasionally pull the flows back down to earth.

RZA pushes his idiosyncratic gritty-shaman style on a few singles, but the most notable joints lose their credibility when placed within the washed out context of the album as a whole. The hardest hitting joint on Digi Snacks, “You Can’t Stop me Now,” a soul powered epic devoted to the Wu-Tang legacy, made many (including myself) prematurely believe Diggs could rejuvenate the prowess of the Clan.

Featuring the ubiquitously sampled chant “No matter how hard you try / you can’t stop me now” from psych-soul group Whatnauts’ single, “Message From a Black Man,” RZA interweaves melodic chords of lingering bass plucks over crunchy percussive claps. Nonetheless, upon completion of listening to Digi Snacks, the championing flow of the song rings hollow, and might keep you second guessing whether it was just the sample that made Digital sound fresh in the first place.



We might give Diggs the credit that the personality disorder inflicted Bobby Digital reflects the ongoing internal battles that plague us in the digital age, as the album commences with a short introduction to the conflicted savior-gangster as a character “that struggles between the good and evil within himself.” But Digi Snacks glides on the boundaries of any spiritual synthesis, succeeding in providing the listener with only what the title offers, a haphazard assortment of decadent side dishes that not only feel gluttonous, but also leave the listener hungry for a fulfilling meal.

Here's the track list. The last song is ill (so, listen to tracks 2, 3, and 16)

01: Digi Snacks (feat. Understanding)
02: Long Time Coming (feat. Danny Keyz)
03: You Can't Stop Me Now (feat. Inspectah Deck)
04: Straight Up the Block (feat. David Banner, Beretta 9 & Monk)
05: Booby Trap (feat. Dexter Wiggles)
06: Try Ya Ya Ya (feat. Monk & Thea)
07: Good Night (feat. Reverend William Burke, Thea & Crisis)
08: No Regrets
09: Money Don't Own Me (feat. Monk, Christbearer & Stone Mecca)
10: Creep (feat. Black Knights, Christbearer & Thea)
11: Drama (feat. Monk & Thea)
12: Up Again (feat. Beretta 9, Reverend William Burke, George Clinton & El DeBarge)
13: Put Your Guns Down (feat. Startel)
14: Love is Digi Pt. II (feat. Beretta 9, Crisis & Thea)
15: O Day
16: Don't Be Afraid

Waste your time and download it.
Waste your money and buy it off koch records.



Tuesday, July 1, 2008

E40 Hyphifies the Apple Store

Peeped the director of traffic himself, E-Fonzarelli, causing dread shaking madness at the apple store off Powell station. While most of the Financial District soaked in happy hour by drinking dirty martinis after a hard day of work at internet start-ups gmailing their friends all day, the more intense side show baydestrians got stupid doo doo dumb in one of the world's finest technology boutiques. Weird.

The line grew a couple blocks up 4th St., making shopping bag burdened tourists from the Midwest gaze in awe and wonder for a second, but soon enough their focus returned to the thrill of buying things and so they kept on walking.


E40 Water's dexterous street hustle flow, straight outta' Vallejo while reppin' East Oakland to the fullest, filled up the sonic airwaves vibrating around pristine mac books and bouncing off white washed walls. A pummeling "Ooooooooh," the legendary bass heavy noise developed by E-40 himself, sonic boomed an elderly man down to the ground while the call and response "Baaay Areaaaaaa" reached decibel levels so high, my sources tell me, that it could be heard echoing throughout the subway tunnels.


On the real though, the environment was absurd enough for the hyphy legend to spit a somewhat lackluster twenty minute performance and still sound super nice on the mic. What does it matter when you're E-40 and you got three hundred cats making thizz faces at each other reflected so exquisitely off little shiny Ipod screens?




Be on the look for E-40's new album, The Ball Street Journal, dropping this Fall at a blog near you.